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Patio

Music in the Manor Under the Stars

Albany Park, Chicago

Sun, August 18, 2024 7:00 PM, CDT

Pay the musicians
Capacity
16 of 30 spots still available
Drinking policy
Bring your own drinks
Alcoholic and non-alcoholic drinks provided
Wheelchair access
Not wheelchair accessible
Kids
Kid-friendly event

This is a private groupmuse.

A live, in-person performance in an intimate setting, only open to people whom the host invites.

Host

Please join us in our backyard for an evening of music with guitarist Sam Frampton.

What's the music?

The majority of the program consists of original compositions for solo guitar from my album "Comfort." I feel especially at home playing my own compositions, which blend classical technique with bossa nova rhythms and jazz harmonies. I'll also pay homage to my influences by playing Antonio Carlos Jobim's bossa nova classic "Girl from Ipanema" and the less-known "Tristezas de um Violão" ("A Guitar's Lament") by Anibal Augusto Sardinha. I enjoy playing these two pieces because of their memorable melodies and infectious rhythms.

Full program:
"Song of the Sun Man"
"Can't Fix the Rain"
"Like a Star, Who You Are"
"Such a Lonely Heart (Right from the Start)"
"Girl from Ipanema" - Antonio Carlos Jobim
"El Vaquero"
"Tristezas de um Violão" - Anibal Augusto Sardinha AKA Garoto
"Plains Winter"
"The Bead"
"Big Bill"

All compositions by Sam Frampton unless otherwise noted. Program subject to change. All selections will be announced from the stage.

Where does this music come from?

Tonight I'll be drawing on three distinct musical lineages.

The first tradition I'll be borrowing from is classical guitar. While "classical music" might not be the first thing you think of when you hear "guitar," the instrument has a history in Western art music going as far back as the Renaissance. Some of the architects of modern classical guitar technique include Francisco Tarrega, Andres Segovia, and Julian Bream. My personal favorite composers for classical guitar are Heitor Villa-Lobos, Frantz Casseus, and Leo Brouwer.

The second tradition I emphasize is jazz, specifically the jazz guitar style pioneered in the 1960s by players such as Grant Green, Wes Montgomery, and Kenny Burrell. Heavily influenced by the "bebop" movement, these artists expanded the possibilities for melodic improvisation on the guitar.

Finally, my compositions draw on the bossa nova movement and its predecessors. Bossa nova began to emerge in the 1950s. It is best known for its unique fusion of samba rhythms with jazz harmonies. A lesser-known influence on bossa nova is a style of Brazilian popular music called choro. "Tristezas de um Violão," which I will be playing tonight, comes from the choro genre.

Location

Exact address sent to approved attendees via email.

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