New York Baroque Incorporated

Hailed as “truly excellent” and “studded with stars in the making” (New York Times), New York Baroque Incorporated (NYBI) is a conductorless orchestra of period instruments in New York City, bringing vital, informed, and fresh performances of a wide range of 17th and 18th-century repertoire while creating a vibrant landscape for collaborations between historical performance and living composers. NYBI has shared the stage with renowned soloists including Richard Egarr, Vivica Genaux, Monica Huggett, and Jakub Jòzef Orliński, and has graced prestigious venues such as Carnegie Hall, the Metropolitan Museum of Art, The Morgan Library, Spoleto Festival USA, and Caramoor Center for Music and the Arts. Striving to make music on period instruments a living art form, NYBI has premiered works by Nico Muhly, Hollis Taylor, and Huang Ruo. The orchestra also dedicates itself to bringing to life unknown works of the Baroque, and has revived and presented modern-day premieres of Cavalli’s Veremonda (1652), Aliotti’s Santa Rosalia (1687) and Seckendorff’s Proserpina (1777).

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