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Cruel Love: Our First Massivemuse of 2018
Massivemuse

Cruel Love: Our First Massivemuse of 2018

Greenwich Village

Fri, January 5, 2018, at 7:45 PM, EST
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    • Groupmuse
    Capacity
    0 of 170 tickets available
    Drinking policy
    Don't bring your own drinks
    Alcoholic and non-alcoholic drinks provided
    Age limit
    All guests must be 21
    Toilet with a slash through it
    No bathroom at this event
    Wheelchair access
    Wheelchair Accessible

    This is a Groupmuse Massivemuse

    Epic performances in unexpected spaces.

    Host

    Groupmuse Superhost

    I don’t need to tell you all that here in New York, we take the New Year very seriously. And we here at Groupmuse New York do too, so when our many-time collaborators Quattro Battute Productions and the Manhattan Chamber Players - a collective of the best musicians on The Island - approached us with a proposal for the first Massivemuse of 2018, we knew we’d be doing right by you, and by Father Time.

    On January 5th, 7.30pm, we gather in the Creative Cultural Center on Christopher Street:

    The program starts with Leos Janacek’s "The Kreutzer Sonata” - one of the most profound and shattering works of the chamber music literature, it was inspired by the Leo Tolstoy short story of the same name, which itself was inspired by the Ludwig Van Beethoven violin sonata of the same name. I know we’ll get angry letters if I suggest that the final installment of this tryptic is the greatest of the three, but it’s just a suggestion!

    It’s followed up by the NYC premier of Vivian Fung’s Humanoid for Solo Cello and Electronics. I’d say more about the piece, but it’s the NYC premier…

    Then, we break.

    For the second half, we’ve got a short piece by Berio, followed by four songs from Emi Ferguson and her brilliant and ground-breaking new work Amour Cruel. Ferguson has taken as a starting point the Air de cour - basically a 17th century pop song from the court of Louis XIV - and brought it into the 21st century to imagine what might have changed in the intervening centuries, and what might have stayed the same. It’s the exact sort of hybrid vision classical music needs to be governed by to find its place in a world that needs it so badly.

    Tall Glass of Milk will be DJing for before and after sets, and we’ve got a glorious beer sponsor in the award-winning Melvin Brewing Company - so tickets come with an infinite amount of free beer.

    ——
    $3 from every goes to the art non-profit “Project Music Heals Us” - which focuses on bringing the healing power of this great art to elderly, disabled, rehabilitating, incarcerated, and homeless populations.

    What's the music?

    Manhattan Chamber Players Viola, Violin

    Leoš Janáček (1854-1928)
    String Quartet No. 1 “Kreutzer Sonata” (1923)

    Vivian Fung (b. 1975) Humanoid for Solo Cello and Electronics (2017)
    NYC Premiere

    Luciano Berio (1925 – 2003), arr. Emi Ferguson
    Black is the Colour, from Folk Songs (arr. for voice and string quartet)

    Emi Ferguson: Amour Cruel

    Encore: Wutang Clan, Cream

    Location

    149 Christopher St, New York, NY, United States
    Apt: Creative Cultural Center

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