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Capacity
- 9 of 12 spots still available
- COVID vaccine not required
- Negative COVID test required (48 hours)
- This is an indoor event
- Masks are not required
- Greeter will confirm safety precautions
- If you feel sick, stay home
- Bring your own drinks
- Dogs live here
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Wheelchair access
- Not wheelchair accessible
- Kid-friendly event
This is a groupmuse
A live concert in a living room, backyard, or another intimate space. They're casual and friendly, hosted by community members.
Host
Please join us for a night to enjoy some treasures of the Renaissance by Dowland, Holborne, dall'Aquila, and da Milano by lutenist Daniel Keene! Much of this came together by chance out of the blue, and I think it really worked out splendidly, so perhaps consider joining us in much the same serendipitous fashion! So the Renaissance was supposed to be a return to ancient Greek and Roman thought, the "rebirth" of these sort of cherished models, so even if you've never heard any of these pieces (I probably have only heard the Dowland), this is really just an uber-nostalgia trip for everybody where you can hear the "good old tunes" from the 16-17th century, which are supposed to be covers of tunes from A.D 200-300. This isn't your dad's Eagles'---this is the OG dad's Eagles'.
What's the music?
Francesco da Milano (1497-1543)
Ricercar (4)
Ricercar (1)
Ricercar (51)
Ricercar (40)
Fantasia (28)
Marco dall’Aquila (1480-1544)
Ricercar
Nous bergiers after Clément Janequin
Anthony Holborne (1545-1602)
The Fairy Round
Heigh Ho Holiday
Muy Linda
INTERMISSION
Francesco da Milano (1497-1543)
De mon triste desplaisir after Jean Richafort
Fantasia (2)
Fantasia (33) "La compagna"
John Dowland (1563-1626)
A Fancy (P 6)
The most sacred Queene Elizabeth, her Galliard
The Right Honorable the Lady Clifton's Spirit
Fantasie (P 1a)
Location
Exact address sent to approved attendees via email.
This is a groupmuse
A live concert in a living room, backyard, or another intimate space. They're casual and friendly, hosted by community members.
Host
Attendees
Comments
Comment sections are only for participants.